I’ve been pretty much glued to Kevin Lamotte’s and Nick Andison’s sides these couple of weeks for The Ladykillers. Week 4 started with the focus calls for the show followed by the on stage rehearsals, then Week 5 continued with lighting levels.

In focus, I settle myself behind the lighting designers to ask questions whenever I notice a free moment. I take note of what lighting documents Kevin and Nick use and what information they need to have and communicate to the crew to make it happen.

The on stage rehearsals have to happen in work light because the actors and the crew have to figure out transitions with the incredible two storey set Judith Bowden has designed. The set also has a lot of tricks to it that need to be figured out for safety and timing. There’s a lot of moments in rehearsals that were just talked through so it’s really exciting to see the actual fights and watch the actors climb all over the set.

Pre-show curtain for THE LADYKILLERS (2019)
Directed by Tim Carroll
Designed by Judith Bowden
Lighting Designed by Kevin Lamotte

In the work light, between scenes, I read books I’ve borrowed from Kevin’s library in his office. Previously, I read about Jean Rosenthal and how she designed. Now, I’m reading more of a manual called The Assistant Lighting Designer’s Toolkit by Anne E. McMills. In there I find helpful tidbits and points to ask the technicians or designers about.

As I said before, I love this The Ladykillers. The show itself is hilarious and so is the cast. During one of the on stage rehearsals, I’m laughing so hard that Judith Bowden asks if this was my first time seeing the show. I reply, “No, I just love it.”

Outside of the Festival Theatre, I get the pleasure to sit in on the first rehearsals of Cyrano de Bergerac directed by Chris Abraham, and Man and Superman directed by Kimberley Rampersad. The first rehearsals are usually read throughs with the full cast and design presentations. Ahead of Cyrano, I meet with the stage manager Allen Teichman who graciously answers all my questions about his role and his duties at the start of the rehearsal process. The next day, I get to help out with some of those duties. I meet with Ashley Ireland, the assistant stage manager, and Allan to tape out the floor and set up tables for the read through.

The Courthouse Theatre’s main rehearsal hall set for CYRANO DE BERGERAC’s (2019) first rehearsal.

Cyrano‘s first read was really fun and I was in awe of the actors lifting the words of the page in almost complete stillness. I’m really excited to see it all set up in a couple months and think back to how it was when it started.

The Man and Superman first read was equally entertaining although I left half-way through (the show is long). Again, though, the actors already bring so much to the table even after director Kimberley Rampersad asks them to not see the read through as a performance but rather as their first time meeting the text all together.

I’m really grateful for the chance to see so many different shows at so many different stages. I’m able to learn about so many different roles and what would be expected of me if I was working with these shows which is a great thing to have before I am actually expected to do anything.

At the end of my fifth week, I get to really enjoy myself as I attend the opening of Brigadoon. It’s been a little while since I last saw the show and I’m excited to enjoy it fully without listening to cues. It is so nice to hear such a large audience reacting with me to the show. It’s an energy I hadn’t yet experience with Brigadoon and it’s just nice to hear the show being so well received watching it quietly during tech.

In my coming weeks, tech for The Ladykillers continues and I attend my first calls for Sex for which Bonnie Beecher is designing the lights. I’ve been watching others in the prop shop upholster the furniture for the show so I’m keen on seeing what the show really looks like.

Keep checking back for a new post coming soon!